Hunsand Space 五月展讯：【七卦阵】—宋建树个展｜【三秒半】—宋建树个展听音会

　　【七卦阵】——宋建树个展
　　策 展：王泡泡
　　展览时间：2015年5?月23日-6月28日
　　开幕时间：2015年5月23日 下午3点－6点
　　地 址：北京市朝阳区草场地艺术区211号院A8

   【三秒半】——宋建树个展听音会
　　策划：王泡泡
　　时间：2015年5月23日 晚九点
　　地点：麻雀瓦舍
　　地址：北京市朝阳区双井广渠路36号院东院麻雀瓦舍拾萬空间将在2015年5月23日呈现［七卦阵］宋建树个展，本次展览由七件作品组成，名叫做“七卦阵”。
　　宋建树的工作方式很多都会运用感性的算计去测试一个貌似标准的结果，颇有些掐指一算的意味，所不同的在于，这既不是对过往的推断也不是对未来的预测，他只是企图通过作品测量身体判断和普遍标准之间的距离，因为他认为：“正是这种差距的存在构成了美学”。
　　七卦之于八卦少掉的那一卦，正是他留给自己——作为一个有着感觉和体温的人——在冷漠规则之下的一个出口。
　　如果说宋建树之前的作品是在测试身体感觉的准确性和唯一性，那么出现在本次展览中的新作品，则更多的显示出他企图对此前的测不准美学重加测定，而他的工作重心，也从对标准的否定性怀疑转向了对失准的肯定与致敬。
　　生于1982年的宋建树，在他确定以这种“较劲”的方式构建自己的艺术之前，有着长达十余年的造型训练和积累，而正出于对这充分和几无间隙的学院传统的某种反面体验，他选择了重新从造型的那些基本词素——长、宽、高、体积、容量等等——出发，另行接通身体经验，测量并展开被层叠于这些词素中的时间与空间，并经由一次又一次的兑换，最终在既成价值的末端，在它们次第衰减或递增的道路尽头，找到造型的真正寄身之所。
　　在他的作品中，公共尺度发生了某种微妙的偏移和转换，工具理性及其恒量成为飘忽之物。当他以如此这般的方式私有化某个计量单位时，我们才有点惊奇的看到了这个单位和尺度本身的微妙之处，而在此前，这是卷曲并被压抑在各自的规定性存在之中，而迟迟无法在事物的感性时刻到场的。
　　就我们直到现在所观察到的而言，他所有的好作品都呈现为一种对造型的反噬，或造型张力或势能尽处的反作用力，但我肯定，我们不能用“反造型”这样的造型语言去谈论他，因为重点所在，一直就是，也只可能是，我们不可能肯定其所在。
　　正是在这不肯定中，宋建树所完成者，已经近乎于诗发而为诗之前的那个好玩存在了。而如果事实上他这样的企图最终也将被肯定，被欣赏为美，被换算为价格。那么，当然我们也可以说，那是因为我们卜过那么一卦。
　　“七卦阵”展览开幕当晚，策展人王泡泡将在麻雀瓦舍主持宋建树作品的听音会，区别于常规的研讨会和开幕party，策展人和艺术家将通过一件名为《三秒半》的声音作品，对“七卦阵”及其他宋建树作品做一次空间上的想象和分享。
　　拾萬空间2014成立，位于草场地艺术区211号院。拾萬空间对常规意义的方盒子展览保持警惕，从当代艺术语言中的语法和语意结构出发并延展到更广泛的领域；希望通过持续的展览和项目，激发出当下文化中被忽视的部分，将当代艺术思想的价值生发到你我的身边。
　　[Seven-Diagram Tactics]——Song Jianshu Solo ExhibitionCurator: Wang Paopao
　　Date: 23/05/ 2015-28/06
　　Opening: 3pm-6pm on May, 23th 2015
　　Exhibition Venue: Hunsand Space
　　A8,No. 211 Cao Chang Di ,Chao Yang District, BeijingT: 010-53317400 M:＋86 18515992737
　　E: hunsand@hunsand.com
　　W: www.hunsand.com
　　[Three And A Half Seconds] ——The Sound Party of Song Jianshu Solo ExhibitionPlaner: Wang Paopao
　　Time: 9pm, 23th May, 2015
　　Venue: MAKO Live House
　　Address: NO.36 Guangqu Road Shuangjing Chaoyang District BeijingHunsand space will present the solo exhibition “Seven -Diagram Tactics” of Song Jianshu which will begin on 23th, May, 2015.This exhibition is composed of seven art works, named “Seven -Diagram Tactics”.
　　Most part of the manner of working by Song Jianshu apply the emotional calculate to test a result which is standard in appearance, so there is some sense of counting on the fingers. The difference is that this manner is neither the inference of the past nor the prediction of the future. He just attempted to measure the distance of physical judgement and widespread standard by means of his works. Because he considers that it is the existence of the gap which constitutes the aesthetic.
　　The diagram which is missing between seven- diagram and eight-diagram is a exit under the rules of indifference which is kept to himself as a person with feeling and temperature.
　　If we say that the previous art works of Song Jianshu was testing the veracity and unicity of the physical sense, then the new works appear in this exhibition reveal more about that he is trying to redeterminate the aesthetic of uncertainty before. And his working focus has also turned to affirm andhomage of inaccuration from negative doubt.
　　Song Jianshu who was born in 1982, has the modeling training and accumulation more than ten years before he constructed his art by the manner of rivalry. Because of the negative experience of the college tradition which is sufficient and with little gap, he choses to restart from basic term of model—lengh, width, height, volume, capacity and so on, find another way to connect physical experience, measure and spread the time and space which is stacked in these morpheme. And from the exchanging again and again, at the end of the existing value, at the terminal of increasing and attenuation, he has found the real parasitic place of the modeling finally.
　　In his art works, some kind of delicate misregistration and conversion have taken place of the public dimention. Instrument rationality and the constant have become something drifting.When he privatizationed some unit of measurement in this way, we begin to find their own subtalty of the unit and the measurement in our surprise. However, before that, this was crimp and constrained in each stipulation existence and could not attendance at the perceptual time of things.
　　From what we have observed by now,all of his good art works present the againsting to the modeling or reactive force of modeling tension. But I am sure that we can not talk about him with the language of “reverse modeling”. Because the focus will always and only be that we can impossible confirm its existence.
　　It is in this uncertainty,the works which have been finished by Song Jianshu have been closed to the funny existence of the creation process before it was done. However,if in fact ,his attempt will be confirmed, be appreciated as beauty, be converted to the price finally .Then, of course we can say that is because we have casted a divination.
　　On the night of opening of "Seven -Diagram Tactics”,the curator Wang Paopao will host the sound party of Song Jianshu art works. Different from conventional seminar and opening party,the curator and the artist will conduct an imagination and share of” Seven -Diagram Tactics” and other art works of Song Jianshu through a sound work named “Three and a half seconds”.
　　Hunsand Space, found in 2014, is located in No. 211 Caochangdi Art Area. Hunsand Space keeps vigilant watch over the normal exhibitions of “Cube”. Hunsand Space, starting from syntax and semantic structures of contemporary art languages and extending to wider fields, hopes to motivate people to find the ignored parts of the present culture and take the value of contemporary art ideas to you and me through on-going exhibitions and projects.