献给人类的画页——黄海燕人物油画创作谈

献给人类的画页——黄海燕人物油画创作谈

献给人类的画页——黄海燕人物油画创作谈

日期:2015-05-05 11:11:38 来源:
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名家 >献给人类的画页——黄海燕人物油画创作谈

  人,是宇宙之精华,万物之灵长。关于人的探讨,近几年来一直为青年油画教师黄海燕所关注和思考。
  黄海燕认为,在画面中,人的表现应该做到形神兼备。如果画家在创作是只单纯地考虑形式与技巧,而不注入自己的情感和思想,那么,画布就无异于一块色彩、符号的简单拼图,没有多大的价值和意义。因此,他在进行人物像创作的时候,总是遵循这样一条线路:
  首先是感受对象的特质,然后将自己的感觉、体验注入其中,最后通过恰当的艺术语言表达出来。这一创作思路,使其人像创作染上了浓厚的主观性和个性化色彩,画面上的人物塑造不再流于表面化的再现,而是具有了一定的深度和内涵。这样,通过一幅成功的人像油画创作,就会传达出作者对人、社会、世界甚至宇宙等等不同层面的感发与认证。
  作为油画人像创作的表现对象——人,在黄海燕心中是一个谜,这个谜面太丰富太难以穷尽了,人的种种存在形态、人的表现,就如同万花筒摇出的一个个纷繁无尽的画面。在“人”的面前他深深感到了理性的匮乏,于是他调动了艺术家所最擅长的感官——直觉,去感受、体验,然后将之用画笔捕捉在画布上。
  当然,黄海燕也清楚地认识到,思想、情感终究是蕴含于形式之内的东西,它必须有籍以体现的载体,要想表达“正在发生的人的精神存在”,还需要通过油画创作的特有的手段和方式来实现。内容决定形式——丰蕴的内涵是一幅成功油画作品不可缺少的素质;同时,形式也应充分表现内容——只有好的艺术表现形式才能够充分、彻底地表达出创作者的想法、感觉,甚至更多。因此,他注重画面的张力,画面的构图总要花去他许多的精力,而一旦结构框架出来了,他就会让画面上的结构关系既规范又纵容着色彩的自由驰骋。凭着对色彩的敏感天性,他尽情地在画布上构造着自己感觉印象中的人物与空间。这是一个激情自由宣泄而又伴随着自觉的艺术创作的过程。创作者在笔触的挥动、色彩的跳荡中体验着内在自我生命与外在人物对象的契合与交流。这种表现性的绘画是他用多年磨练出来的艺术之笔,饱蘸着从心灵深处流淌出来的激情,挥洒在画布上的献给人类的艺术之章。
  用画笔来延伸并表达对于人的思考,让更多的人去关注人性,关注人的精神生存状态,这是黄海燕的人文理想。而这理想的光辉也恰恰提升了其油画人像创作的品位与境界,使其画面的色彩与构成达成了某种超越。

 

吉平 北京大学 文学硕士

  Pictures Dedicated to the People
  ------Opinions to Huang Haiyan’s portrait painting

  Human beings are the brilliance of the universe and the leader of all creatures. In recent years, young teacher Huang Haiyan, majoring in portrait painting, has been taking the human as his research subject.
  Human thinks that in the pictures both the shape and the spirits should be presented exactly. If an artist only considesr the forms and skills, the picture is no less than a simple jigsaw with colours and signs without any value. Thus, he always follows such a routine to create figures:
  First, he tries to feel the special quality of the object, then he puts his feeling into it; finally he expresses it in appropriate art language. This creative idea contracted a keen portrait of the creative subjectivity and individuality of color, which is no longer on the screen of a replay of superficial, but with a certain degree of depth and meaning. Thus, a successful portrait oil painting, will convey the author’s thoughts and certification on human, social, and the world and even the universe etc. at different levels of the flu and certification.
  In the minds of Huang Haiyan, portrait painting as a creative performance target is a mystery, this mystery is too difficult to perceive. The existence of various forms and the performance are just like a kaleidoscope shake out a complex and endless screen. In front of “human beings”, he deeply felt the lack of ration, and so he mobilized the best at the sensory-intuitive to feel, experience, and then use the brush to capture on canvas.
  Of course, Huang Haiyan also clearly understands that thinking, emotion are contained in the form, and must have the membership in order to reflect the carrier, in order to express “the existence of spirit of the people there”, it is realized through oil painting the specific ways and means. Contents determine the form----the rich content is the indispensable quality of a success painting, at the same time, the form should also be fully expressing content---only good performance art forms can be fully and thoroughly express the author’s ideas, feelings, or even more. He therefore pays much attention to the tension on the painting, the painting image costs a lot of his energy. Relying on his sensibility for colours he easily constructs the figures and space in his image on the picture. This process releases his passion freely and brings him a conscious creating process .These works are derived from his hard work for many years.
  He expands and expresses his thinking of the people with the painting pens and makes more people to care about personality. Care about the spiritual state of human, which is Huang Haiyan’s idea of humanism. At the same time, his humanism also evaluates the value and state of the oil painting to higher degree.

Ji Ping, Master of literature, Beijing University

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